What's The Job Market For Fela Professionals Like?
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Fela Kuti
Fela's life is full of contradictions, and that's a large part of what makes him fascinating. People who love him will overlook his shortcomings.
His songs are often 20 minutes or more, and sung in a dense Pidgin English that is almost unintelligible. His music is influenced by Christian hymns jazz, classical music, Yoruba music, chant, and horn-and-guitar heavy highlife.
He was a musician
Fela Kuti embodied the idea that music can be a tool for change. His music was used to argue for political, social and economic reforms. His influence can be evident to this day. Afrobeat is a musical style that combines African and Western influences. Its origins lie in West-African high-life and funk However, it has since evolved into its own genre.
His political activism was intense and he did it without fear. He used his music to speak out against corruption in government and human rights abuses. Songs like "Zombie" and "Coffin for the Head of State" were daring critiques of the Nigerian regime. He also used his residence, Kalakuta Republic, as an area for political activism and an opportunity to meet like-minded people.
The play features a huge portrait of his mother, who died in the past Funmilayo ransome-Kuti. She was a renowned feminist and activist. Shantel Cribbs portrays her and she does an excellent job of expressing her significance in the life of Fela. The play also explores on her political involvement. Despite her declining health she refused to be checked for AIDS and instead chose traditional medicine.
He was a singer
Fela Ransome Kuti was a complex individual who used music to effect changes in the political landscape. He is famous for his work on Afrobeat, which is a blend of funk and dirty African rhythms. He was also a constant critic of Nigeria's political and religious leaders.
Growing up with an anti-colonial suffragist mom and a feminist father, it's not a surprise that Fela was interested in social commentary and politics. His parents wanted him to become an ophthalmologist, but he had different plans.
While he started in a more political highlife vein, a trip to America changed his outlook forever. The exposure to Black power movements and leaders like Malcolm X and Eldridge Cleaver would have a profound influence on his music. He adopted a Pan-Africanism ideology, which would influence and inform his later work.
He was a music producer
While in the United States Fela was introduced to Black Power activists like Stokely Carmichael and Malcolm X. This experience led him to form an activist group known as the Movement of the People and create songs that reflected the ideas he had about political activism and black awareness. His philosophies were publicly expressed through yabis, a form of public speaking that he called "freedom expression". He also began to impose an ethical code on his band. This included refusing to accept prescriptions from Western-trained medical professionals.
After returning to Nigeria Fela began to build his own club and the Shrine in Ikeja. The frequent raids by police and military officials was almost constant. His Mosholashi-Idi Oro hangers were able to repopulate the area surrounding the club with hard drug particularly "bana" and "yamuna" (heroin). However, Fela was a man of uncompromising integrity. His music is a testament to the determination with which he challenged authority and demanded that popular ambitions be reflected in official goals. It is a legacy that will last for generations.
He was a poet
In his music, Fela used light-hearted sarcasm to highlight economic and political issues in Nigeria. He also poked fun at his audience, the government, and even himself. He referred to himself during these shows as "the big dick on the little pond." The authorities took his jokes lightly and he was often detained and imprisoned. He was also beat by the authorities. He eventually adopted the name Anikulapo, which means "he has death in his pocket."
In 1977, Fela recorded a song called "Zombie," which compared soldiers to mindless zombies who obeyed orders without hesitation. The military was irritated by this and conducted a raid on Kalakuta Republic. They burned it down and beat its residents. During the raid, Fela’s mother was thrown out of her second-floor apartment by the window.
In the decades after Nigeria's independence, Fela created Afrobeat, the genre of music that blended jazz with native African rhythm. His songs criticised European imperialism in culture and praised African traditional traditions and religions. He also criticized fellow Africans who betrayed their nation's traditions. He emphasized the importance of human rights and freedom.
He was an artist of hip-hop.
Fela Anikulapo Kuti, a saxophonist and trumpeter, was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He grew up with jazz music, rock and roll and traditional African music and chants which helped shape his style of music. After a trip to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas were influential in his work.
After his return to Nigeria, Fela began using his music as a tool for political purposes. He criticized the government of his home country and insisted that African culture should not be diluted by Western sensibilities. He also wrote about social injustices and human rights abuses, and was repeatedly arrested for his criticism of the military.
Fela was also a fervent advocate of marijuana in Africa, which is known as "igbo". He often held public debates at Afrika Shrine, called "yabis", in which he would slam government officials and promote his views on freedom of expression and the beauty of women's bodies. Fela also had an entourage of young women, who performed in his shows and served as vocal backups for his vocalists.
He was a dancer
Fela was a master of musical fusion. He fused elements of jazz, beat music, and highlife to create his own unique style. He influenced a generation African musicians and was a vocal critic of colonial rule.
Despite being tortured and arrested by the Nigerian military junta and seeing his mother murdered, Fela refused to leave the country. He died of complications due to AIDS in 1997.
Fela was a political activist who was critical of the oppressive Nigerian government and supported the principles of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both the government and colonial forces. He also promoted black power and decried Christianity and Islam as non-African imports, which have been used to divide the people of Africa. The title track of a 1978 album, fela Attorneys Shuffering and Shmiling, describes the over-crowded public buses filled with poor workers "shuffering and smiling." Fela was a fierce opponent of religious hypocrisy. The dancers of Fela were an excellent match for his music. They were vivacious, sensual, and elegant. Their contributions were just as important as Fela's words.
He was a militant in the political arena.
Fela Kuti was a militant who used music to challenge oppressive authority. He took his knowledge of American jazz and funk to African styles and rhythms, creating an edgy sound that was prepared for battle. The majority of his songs begin as slow instrumentals, gradually layering small riffs and melodies until they explode with a ferocious vigor.
Contrary to the majority of artists, who were afraid to speak out about their politics, Fela was fearless and uncompromising. He stood in the cause he believed in, even when it was risky. His mother, Funmilayo Runsome-Kuti, was an avowed feminist who led the Nigerian Women's Movement. His father was a protestant minister, and the teacher's union president.
He also established Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government raided Kalakuta's Republic which destroyed property and injured Fela. He refused to give up and continued to speak against the government. He passed away in 1997 due to complications arising from AIDS. His son Femi continues to carry on his musical and political legacy.
He was a father
Music is often thought of as a form of political protest, and musicians use lyrics to solicit change. Some of the most powerful music demonstrations aren't performed with words. Fela Kuti is one the artists mentioned above, and his music still rings today. He was the first to pioneer Afrobeat music, which blends traditional African rhythms and harmony with jazz and hip-hop that was inspired by artists like James Brown.
Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied Marxism and believed that Nigeria should serve its entire population.
Seun Fela's Son is carrying on his father's legacy with a band named Egypt 80. The band will be touring the globe this year. The band's music is a blend of the sounds and political stances of Fela's era with a fervent denial of the same power structures that continue to exist in the present. The album, Black Times, will be released in March. A large number of fans attended the funeral and paid respects in Tafawa Balewa Square. The crowd was so big that police had to block the entrance.
Fela's life is full of contradictions, and that's a large part of what makes him fascinating. People who love him will overlook his shortcomings.
His songs are often 20 minutes or more, and sung in a dense Pidgin English that is almost unintelligible. His music is influenced by Christian hymns jazz, classical music, Yoruba music, chant, and horn-and-guitar heavy highlife.
He was a musician
Fela Kuti embodied the idea that music can be a tool for change. His music was used to argue for political, social and economic reforms. His influence can be evident to this day. Afrobeat is a musical style that combines African and Western influences. Its origins lie in West-African high-life and funk However, it has since evolved into its own genre.
His political activism was intense and he did it without fear. He used his music to speak out against corruption in government and human rights abuses. Songs like "Zombie" and "Coffin for the Head of State" were daring critiques of the Nigerian regime. He also used his residence, Kalakuta Republic, as an area for political activism and an opportunity to meet like-minded people.
The play features a huge portrait of his mother, who died in the past Funmilayo ransome-Kuti. She was a renowned feminist and activist. Shantel Cribbs portrays her and she does an excellent job of expressing her significance in the life of Fela. The play also explores on her political involvement. Despite her declining health she refused to be checked for AIDS and instead chose traditional medicine.
He was a singer
Fela Ransome Kuti was a complex individual who used music to effect changes in the political landscape. He is famous for his work on Afrobeat, which is a blend of funk and dirty African rhythms. He was also a constant critic of Nigeria's political and religious leaders.
Growing up with an anti-colonial suffragist mom and a feminist father, it's not a surprise that Fela was interested in social commentary and politics. His parents wanted him to become an ophthalmologist, but he had different plans.
While he started in a more political highlife vein, a trip to America changed his outlook forever. The exposure to Black power movements and leaders like Malcolm X and Eldridge Cleaver would have a profound influence on his music. He adopted a Pan-Africanism ideology, which would influence and inform his later work.
He was a music producer
While in the United States Fela was introduced to Black Power activists like Stokely Carmichael and Malcolm X. This experience led him to form an activist group known as the Movement of the People and create songs that reflected the ideas he had about political activism and black awareness. His philosophies were publicly expressed through yabis, a form of public speaking that he called "freedom expression". He also began to impose an ethical code on his band. This included refusing to accept prescriptions from Western-trained medical professionals.
After returning to Nigeria Fela began to build his own club and the Shrine in Ikeja. The frequent raids by police and military officials was almost constant. His Mosholashi-Idi Oro hangers were able to repopulate the area surrounding the club with hard drug particularly "bana" and "yamuna" (heroin). However, Fela was a man of uncompromising integrity. His music is a testament to the determination with which he challenged authority and demanded that popular ambitions be reflected in official goals. It is a legacy that will last for generations.
He was a poet
In his music, Fela used light-hearted sarcasm to highlight economic and political issues in Nigeria. He also poked fun at his audience, the government, and even himself. He referred to himself during these shows as "the big dick on the little pond." The authorities took his jokes lightly and he was often detained and imprisoned. He was also beat by the authorities. He eventually adopted the name Anikulapo, which means "he has death in his pocket."
In 1977, Fela recorded a song called "Zombie," which compared soldiers to mindless zombies who obeyed orders without hesitation. The military was irritated by this and conducted a raid on Kalakuta Republic. They burned it down and beat its residents. During the raid, Fela’s mother was thrown out of her second-floor apartment by the window.
In the decades after Nigeria's independence, Fela created Afrobeat, the genre of music that blended jazz with native African rhythm. His songs criticised European imperialism in culture and praised African traditional traditions and religions. He also criticized fellow Africans who betrayed their nation's traditions. He emphasized the importance of human rights and freedom.
He was an artist of hip-hop.
Fela Anikulapo Kuti, a saxophonist and trumpeter, was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He grew up with jazz music, rock and roll and traditional African music and chants which helped shape his style of music. After a trip to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas were influential in his work.
After his return to Nigeria, Fela began using his music as a tool for political purposes. He criticized the government of his home country and insisted that African culture should not be diluted by Western sensibilities. He also wrote about social injustices and human rights abuses, and was repeatedly arrested for his criticism of the military.
Fela was also a fervent advocate of marijuana in Africa, which is known as "igbo". He often held public debates at Afrika Shrine, called "yabis", in which he would slam government officials and promote his views on freedom of expression and the beauty of women's bodies. Fela also had an entourage of young women, who performed in his shows and served as vocal backups for his vocalists.
He was a dancer
Fela was a master of musical fusion. He fused elements of jazz, beat music, and highlife to create his own unique style. He influenced a generation African musicians and was a vocal critic of colonial rule.
Despite being tortured and arrested by the Nigerian military junta and seeing his mother murdered, Fela refused to leave the country. He died of complications due to AIDS in 1997.
Fela was a political activist who was critical of the oppressive Nigerian government and supported the principles of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both the government and colonial forces. He also promoted black power and decried Christianity and Islam as non-African imports, which have been used to divide the people of Africa. The title track of a 1978 album, fela Attorneys Shuffering and Shmiling, describes the over-crowded public buses filled with poor workers "shuffering and smiling." Fela was a fierce opponent of religious hypocrisy. The dancers of Fela were an excellent match for his music. They were vivacious, sensual, and elegant. Their contributions were just as important as Fela's words.
He was a militant in the political arena.
Fela Kuti was a militant who used music to challenge oppressive authority. He took his knowledge of American jazz and funk to African styles and rhythms, creating an edgy sound that was prepared for battle. The majority of his songs begin as slow instrumentals, gradually layering small riffs and melodies until they explode with a ferocious vigor.
Contrary to the majority of artists, who were afraid to speak out about their politics, Fela was fearless and uncompromising. He stood in the cause he believed in, even when it was risky. His mother, Funmilayo Runsome-Kuti, was an avowed feminist who led the Nigerian Women's Movement. His father was a protestant minister, and the teacher's union president.
He also established Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government raided Kalakuta's Republic which destroyed property and injured Fela. He refused to give up and continued to speak against the government. He passed away in 1997 due to complications arising from AIDS. His son Femi continues to carry on his musical and political legacy.
He was a father
Music is often thought of as a form of political protest, and musicians use lyrics to solicit change. Some of the most powerful music demonstrations aren't performed with words. Fela Kuti is one the artists mentioned above, and his music still rings today. He was the first to pioneer Afrobeat music, which blends traditional African rhythms and harmony with jazz and hip-hop that was inspired by artists like James Brown.
Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied Marxism and believed that Nigeria should serve its entire population.
Seun Fela's Son is carrying on his father's legacy with a band named Egypt 80. The band will be touring the globe this year. The band's music is a blend of the sounds and political stances of Fela's era with a fervent denial of the same power structures that continue to exist in the present. The album, Black Times, will be released in March. A large number of fans attended the funeral and paid respects in Tafawa Balewa Square. The crowd was so big that police had to block the entrance.